'The deep sea will come to me': The blackwater diver who photographs the creatures of the deep 6%

By Katherine Latham0%

6/7/2026, 3:00:00 AM

BS Summary: This article contains 29 faulty reasoning types, including Appeal to Emotion, Framing Effect, and Overconfidence Bias, with Hasty Generalization as the most egregious example at 13.9% saturation with 350 hits. Analysis detected 3,438 faulty-reasoning hits from 2,513 analyzed words, generating a BS Score of 22.1% and a BS Rank of 6% (20,617 of 21,887 articles). This article is better (less manipulative) than 94.20% of the article peer group.

'The deep sea will come to me': The blackwater diver who photographs the creatures of the deep 
When photographer Jialing Cai plunged into the ocean in the dead of night, she found creatures of the deep had risen up to meet her. 
In blackwater diving, the ocean floor is invisible, says Jialing Cai. 
You float in an endless black void. 
"There is no reference for you to know your location in this three-dimensional space," says the specialist underwater photographer. 
"If you're not aware of your depth, you could start sinking down deeper and deeper." 
During her first nighttime dive, however, "the excitement overwhelmed my fear". 
Cai soon found that this black "empty space" was, in fact, teeming with life  from baby octopuses, jellyfish and crabs, to juvenile fish and all manner of copepods, or "insects of the sea". 
Cai, from Chongqing, China, is an award-winning blackwater photographer. 
In 2023, she was named Oceanographic magazine's Ocean Photographer of the Year for her image of a paper nautilus, a rarely-encountered octopus with a paper-thin shell-like egg case. 
Then, in 2025, Cai won the Oceanographic Female Fifty Fathoms Award for her collection of photographs that captured some of the ocean's most charismatic visitors from the deep. 
Cai doesn't need to dive deep, though, to capture these deep ocean creatures. 
She simply waits for them to emerge from the depths at night as they come to surface to feed  in what is the biggest mass migration of animals on Earth. 
"I just have to throw myself out into the open ocean at night, and the deep sea will come to me  Jialing Cai" 
Little is understood about the true nature of life in the ocean's midwater. 
Usually, specimens are collected in nets. 
Removed from their natural environment, their lifeless  often damaged  bodies are then preserved in jars. 
These stunning images, however, reveal the amazing daily lives of the interior of the ocean, says Jon Copley, professor of ocean exploration at Southampton University in the UK. 
"Having photographic evidence of these animals is important because they're rarely seen in their natural habitat. 
Traditionally specimens of mid-water animals like these are collected in nets, which don't preserve the intricate structures that you can see in a photo." 
Jialing Cai dives at night, when deep ocean animals migrate to the surface (Credit: Kim Aristorenas) 
In December 2018  at just 19 years old  Cai embarked on her first ever blackwater dive in Batangas Bay, Philippines. 
In the water, colour disappears very fast as you descend, says Cai. 
"You have to get very close to the subject if you want to capture a good image. 
You want to be relatively still, even as they move around. 
And sometimes you find a subject, you get close to it, and then it starts to swim. 
Then you just have to chase it." 
Hyper-focused on photographing her first deep ocean species, Cai swam away from the dive boat and her dive guide who was in the water with her. 
This is when she captured the image of a wunderpus octopus (seen above). 
As an adult this wunderpus will have zebra-like stripes, but in its juvenile stage, says Cai, its colour cells have not yet developed. 
"Almost transparent, it can blend in with the empty dark space." 
Cai used three bright lights to capture this image, which also attracted all manner of zooplankton  larval shrimps, crabs and worms  to join in the fun. 
"There's a huge diversity of life here. 
It's like a festival." 
Suddenly, though, Cai realised she had swum so far from the boat that she could no longer see its lights. 
Alone in the darkness, she turned around in the water  and saw nothing. 
"I turned off all my lights: my camera light, my hunting light." 
She hoped this would allow her to detect the obscure light of the boat in the distance. 
Still, there was nothing but the black of the night ocean. 
Cai surfaced and turned on her lights. 
That's when the dive boat crew spotted her and  after a few minutes that felt like a lifetime  she was safe. 
An ordinary diver 
When Cai was studying marine biology at the University of Virginia in the US she thought exploring the deep sea would be as ambitious going to outer space. 
Then, one day, her lecturer explained the phenomenon of diel vertical migration (DVM). 
Every single night, he explained, trillions of tiny zooplankton rise from the deep sea to feed in the relative safety of the cover of darkness. 
They swim for hundreds of metres to shallow waters, some even making it to the surface. 
During this nightly migration, the ocean hums with an "evening chorus". 
This is the chatter of countless fish, shrimp, jellies and squid making their way to the surface. 
Then, just before sunrise, they return to the abyss. 
"I realised I could take glimpses into a world that my mortal body would never allow me to reach  Jialing Cai" 
"Diel vertical migration happens in every marine and freshwater environment on the planet," says Laura Hobbs, lecturer in Arctic marine science at the Scottish Association for Marine Science. 
"This is the biggest migration by biomass on the planet  and it happens every single day." 
"It hit me like lightning," says Cai. 
"I couldn't help but interrupt the professor. 
I said, 'Are you saying that I actually don't have to go down to the deep, deep sea to see the creatures myself? 
I can just be an ordinary diver?' 
I realised I could take glimpses into a world that my mortal body would never allow me to reach. 
I just have to throw myself out into the open ocean at night, and the deep sea will come to me." 
So, Cai learnt to dive and to use a camera. 
Today, she specialises in photographing zooplankton in the blackness of the open ocean at night. 
Diving no deeper than 30m (98ft), Cai photographed these deep ocean animals that swum up to meet her. 
This immortal jellyfish danced "like a tornado", says photographer Jialing Cai (Credit: Jialing Cai/ Ocean Photographer of the Year) 
Dance of the immortal jellyfish 
This mature immortal jellyfish "looked like a lightbulb in the night of the ocean", says Cai. 
The immortal jellyfish gets its name from its ability to "revert itself back into its baby stage, its polyp stage" on sensing danger, such as pathogens in the water, she explains. 
"It can restart its lifecycle again and again." 
In theory, immortal jellyfish can live forever. 
The jellyfish was startled by Cai's bright light and immediately retracted its tentacles when she approached. 
So, she reverted to a red light, using a white strobe to capture the image in an instant. 
Immediately, the jellyfish began to extend its tentacles, dancing like a swirling tornado. 
"You sometimes have to use these kind of tricks to let marine creatures show us how they really behave," says Cai. 
A juvenile fish has captured a jellyfish in its mouth and uses its tentacles as a weapon (Credit: Jialing Cai/ Ocean Photographer of the Year) 
Borrowed venom 
The diel vertical migration crew is a crowd jostling with both predators and prey. 
"These little critters form the basis of the food chain," says Hobbs, "so they're really important for everything from fish to whales." 
To survive being eaten by larger predators  or each other  many of these animals have developed ingenious defence strategies to protect themselves. 
More like this: 
 The strange deep-sea creatures that eat whales 
 The whale graveyards that transform the deep sea 
 The people who can dive like seals 
This juvenile fish has captured a jellyfish in its mouth, making use of the toxins in its tentacles. 
"This is a very typical behaviour for these juvenile fish," says Cai. 
"They take advantage of the venomous tentacles of the jellyfish. 
Every time I tried to approach the fish, it would immediately steer its chemical shield towards me." 
These tiny animals face a gauntlet of predators as they migrate to the surface (Credit: Jialing Cai/ Ocean Photographer of the Year) 
A gauntlet of predators 
"Here you can see a juvenile trevally, a kind of jack fish, sitting on the bell of a jellyfish," says Cai. 
Inside the jellyfish, you can see a baby octopus is being digested. 
"Its soft, blood-tinged eyes are visible within the gelatinous stomach. 
For the baby octopus, this jellyfish is brutal." 
For many small zooplankton, said Cai, the jellyfish's gut becomes their final resting place. 
For others, like the jack fish, the jellyfish offers refuge. 
Cai's images, says Hobbs, offer a fascinating insight into the diversity of life at this scale in the ocean. 
"These huge migrations are happening as part of a complex three-dimensional environment, where tiny zooplankton move towards the surface to feed whilst simultaneously running the gauntlet past a variety of predators. 
It's amazing to think that each of these species is following their own strategy, shaped by its preferred prey, potential predators, and reproductive needs." 
Life in twilight zone can’t escape the impact of human activity (Credit: Jialing Cai/ Ocean Photographer of the Year) 
Trash shelter 
Here "two tiny fish, each no bigger than my thumbnail, are navigating the open ocean at night beneath the fragile shelter of a drifting piece of candy wrapper", says Cai. 
"An unintended refuge in a world increasingly shaped by human debris." 
The twilight zone  or mesopelagic zone  is a vast layer of water that spans the globe. 
It stretches from a dusky 200m (660ft) beneath the waves, to pitch darkness at 1,000m (3,280ft) depth. 
This portion of the ocean is home the vast majority of marine life  with more fish than the rest of the ocean combined  and is critical to both ocean ecosystems and the global carbon cycle. 
There are various ways that human activity negatively impacts the twilight zone, says Copley. 
"These are depths that are fished for some fish species. 
Then, of course, the other big impact throughout the deep ocean is climate change. 
This affects the twilight zone and what lives there. 
Predictions are that the abundance of life there will decline." 
This zone urgently needs protecting, says Copley, with research showing that climate change will curtail life there by as much as 40% by the end of the century. 
As larvae, crabs drift in the water column undergoing multiple stages of metamorphosis (Credit: Jialing Cai/ Ocean Photographer of the Year) 
Metamorphosis 
Some of these tiny creatures undertake epic journeys before ending up on our shores. 
Crabs, for instance, are usually thought of as seafloor dwellers. 
But, like most marine animals that we encounter in coastal areas, they go through a planktonic stage, says Cai. 
As larvae they drift in the water column, undergoing multiple stages of metamorphosis, before they eventually settle into their final habitat. 
"This image captures a juvenile crab in the act of moulting, shedding its old exoskeleton much like slipping off a sweater," says Cai. 
"If you look closely, you can spot subtle differences in shape and structure between the transparent moult and the crab's newly emerged body." 
So, next time you watch a common shore crab scuttling around inside your seaside bucket, just think  it may well have travelled more than a hundred miles in the depths of the ocean, surviving against all odds. 
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Article reasoning-pattern comparisonThis article: 2.9%Katherine Latham: 0.7%BBC: 3.0%Confirmation Bias2.9%This article: 1.1%Katherine Latham: 0.6%BBC: 0.7%Anchoring Bias1.1%This article: 5.0%Katherine Latham: 1.2%BBC: 3.1%Availability Heuristic5.0%This article: 2.5%Katherine Latham: 0.6%BBC: 1.4%Representativeness Heuristic2.5%This article: 0.9%Katherine Latham: 0.2%BBC: 1.1%Hindsight Bias0.9%This article: 10.1%Katherine Latham: 2.5%BBC: 2.0%Overconfidence Bias10.1%This article: 10.3%Katherine Latham: 3.2%BBC: 4.7%Framing Effect10.3%This article: 0.0%Katherine Latham: 0.0%BBC: 0.3%Loss Aversion0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.6%Status Quo Bias0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.2%Sunk Cost Effect0.0%This article: 9.2%Katherine Latham: 2.7%BBC: 3.6%Optimism Bias9.2%This article: 2.7%Katherine Latham: 1.2%BBC: 0.9%Pessimism Bias2.7%This article: 9.1%Katherine Latham: 2.6%BBC: 4.4%Negativity Bias9.1%This article: 1.0%Katherine Latham: 0.3%BBC: 0.7%Self-Serving Bias1.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.6%Fundamental Attribution Error0.0%This article: 3.8%Katherine Latham: 1.0%BBC: 0.1%Actor-Observer Bias3.8%This article: 0.0%Katherine Latham: 0.0%BBC: 1.0%In-Group Bias0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.3%Out-Group Homogeneity Bias0.0%This article: 7.1%Katherine Latham: 2.0%BBC: 4.6%Halo Effect7.1%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Horn Effect0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.0%Dunning-Kruger Effect0.0%This article: 0.2%Katherine Latham: 0.1%BBC: 1.1%Recency Bias0.2%This article: 0.9%Katherine Latham: 0.2%BBC: 0.4%Primacy Effect0.9%This article: 0.0%Katherine Latham: 0.0%BBC: 0.0%Blind-Spot Bias0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.2%Ad Hominem0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Straw Man0.0%This article: 5.5%Katherine Latham: 1.4%BBC: 5.5%Appeal to Authority5.5%This article: 1.4%Katherine Latham: 0.6%BBC: 1.1%False Dilemma1.4%This article: 0.6%Katherine Latham: 0.1%BBC: 0.4%Slippery Slope0.6%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Circular Reasoning0.0%This article: 13.9%Katherine Latham: 3.5%BBC: 5.5%Hasty Generalization13.9%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Red Herring0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.7%Bandwagon0.0%This article: 13.6%Katherine Latham: 3.4%BBC: 3.6%Appeal to Emotion13.6%This article: 1.0%Katherine Latham: 0.2%BBC: 0.5%Begging the Question1.0%This article: 5.2%Katherine Latham: 1.3%BBC: 3.2%Post Hoc (False Cause)5.2%This article: 0.0%Katherine Latham: 0.0%BBC: 0.0%Tu Quoque0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.3%Burden of Proof0.0%This article: 5.6%Katherine Latham: 1.4%BBC: 0.6%Appeal to Nature5.6%This article: 0.9%Katherine Latham: 0.2%BBC: 0.4%Composition/Division0.9%This article: 9.2%Katherine Latham: 2.3%BBC: 3.5%Anecdotal9.2%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%No True Scotsman0.0%This article: 7.0%Katherine Latham: 1.8%BBC: 1.6%Ambiguity (Equivocation)7.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.0%Gambler’s Fallacy0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Middle Ground0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Personal Incredulity0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Special Pleading0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Genetic Fallacy0.0%This article: 1.8%Katherine Latham: 0.4%BBC: 1.2%Unattributed Quote1.8%This article: 2.3%Katherine Latham: 0.6%BBC: 0.5%Quote-first Misdirection2.3%This article: 0.0%Katherine Latham: 0.0%BBC: 5.8%Biased Writer Voice0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 1.4%Indoctrination0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.1%Politically Left Leaning Bias0.0%This article: 0.0%Katherine Latham: 0.0%BBC: 0.0%Politically Right Leaning Bias0.0%This article: 2.2%Katherine Latham: 1.0%BBC: 3.3%Attempt to Sell a Product or S…2.2%

2513 words analyzed.

Speakers

5speakers37%attributed speech1,588writer words
Voice mapSelect a segment to jump to its words
Writer's voice • 17 words • 0.0% coverageWriter's voice • 17 words • 0.0% coverageWriter's voice • 25 words • 0.0% coverageJialing Cai • 11 words • 100.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 19 words • 100.0% coverageWriter's voice • 15 words • 100.0% coverageJialing Cai • 11 words • 100.0% coverageWriter's voice • 34 words • 0.0% coverageWriter's voice • 9 words • 0.0% coverageWriter's voice • 28 words • 0.0% coverageWriter's voice • 28 words • 0.0% coverageWriter's voice • 13 words • 0.0% coverageWriter's voice • 31 words • 0.0% coverageJialing Cai • 24 words • 100.0% coverageWriter's voice • 13 words • 0.0% coverageWriter's voice • 6 words • 0.0% coverageWriter's voice • 17 words • 0.0% coverageJon Copley • 28 words • 0.0% coverageJon Copley • 16 words • 0.0% coverageJon Copley • 24 words • 0.0% coverageWriter's voice • 16 words • 0.0% coverageWriter's voice • 22 words • 0.0% coverageJialing Cai • 12 words • 0.0% coverageJialing Cai • 17 words • 0.0% coverageJialing Cai • 11 words • 0.0% coverageJialing Cai • 17 words • 0.0% coverageJialing Cai • 7 words • 0.0% coverageWriter's voice • 26 words • 0.0% coverageWriter's voice • 13 words • 0.0% coverageJialing Cai • 23 words • 0.0% coverageJialing Cai • 11 words • 0.0% coverageWriter's voice • 28 words • 0.0% coverageJialing Cai • 7 words • 0.0% coverageJialing Cai • 4 words • 0.0% coverageWriter's voice • 20 words • 0.0% coverageWriter's voice • 14 words • 0.0% coverageJialing Cai • 12 words • 0.0% coverageWriter's voice • 17 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 23 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageWriter's voice • 28 words • 0.0% coverageWriter's voice • 13 words • 0.0% coverageWriter's voice • 25 words • 0.0% coverageWriter's voice • 16 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 17 words • 0.0% coverageWriter's voice • 9 words • 0.0% coverageJialing Cai • 22 words • 100.0% coverageLaura Hobbs • 28 words • 0.0% coverageLaura Hobbs • 17 words • 0.0% coverageJialing Cai • 7 words • 0.0% coverageJialing Cai • 7 words • 0.0% coverageJialing Cai • 23 words • 0.0% coverageJialing Cai • 7 words • 0.0% coverageJialing Cai • 19 words • 0.0% coverageJialing Cai • 21 words • 0.0% coverageWriter's voice • 10 words • 0.0% coverageWriter's voice • 15 words • 0.0% coverageWriter's voice • 18 words • 0.0% coverageJialing Cai • 19 words • 0.0% coverageWriter's voice • 5 words • 0.0% coverageJialing Cai • 16 words • 0.0% coverageJialing Cai • 31 words • 0.0% coverageJialing Cai • 8 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 16 words • 0.0% coverageWriter's voice • 18 words • 0.0% coverageWriter's voice • 13 words • 0.0% coverageJialing Cai • 21 words • 0.0% coverageWriter's voice • 25 words • 0.0% coverageWriter's voice • 2 words • 0.0% coverageWriter's voice • 14 words • 0.0% coverageLaura Hobbs • 22 words • 0.0% coverageWriter's voice • 24 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 9 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 18 words • 0.0% coverageJialing Cai • 12 words • 0.0% coverageJialing Cai • 10 words • 0.0% coverageJialing Cai • 17 words • 0.0% coverageWriter's voice • 22 words • 0.0% coverageWriter's voice • 4 words • 0.0% coverageJialing Cai • 21 words • 0.0% coverageWriter's voice • 12 words • 0.0% coverageJialing Cai • 10 words • 0.0% coverageJialing Cai • 8 words • 0.0% coverageJialing Cai • 14 words • 0.0% coverageJialing Cai • 10 words • 0.0% coverageLaura Hobbs • 19 words • 0.0% coverageLaura Hobbs • 31 words • 0.0% coverageLaura Hobbs • 24 words • 0.0% coverageWriter's voice • 19 words • 0.0% coverageWriter's voice • 2 words • 0.0% coverageJialing Cai • 30 words • 0.0% coverageJialing Cai • 11 words • 0.0% coverageWriter's voice • 18 words • 0.0% coverageWriter's voice • 17 words • 0.0% coverageWriter's voice • 37 words • 0.0% coverageJon Copley • 14 words • 0.0% coverageJon Copley • 10 words • 0.0% coverageJon Copley • 14 words • 0.0% coverageJon Copley • 9 words • 0.0% coverageJon Copley • 10 words • 0.0% coverageJon Copley • 28 words • 0.0% coverageWriter's voice • 21 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 14 words • 0.0% coverageWriter's voice • 10 words • 0.0% coverageJialing Cai • 19 words • 0.0% coverageJialing Cai • 21 words • 0.0% coverageJialing Cai • 23 words • 0.0% coverageJialing Cai • 23 words • 0.0% coverageWriter's voice • 38 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 32 words • 100.0% coverageWriter's voice • 17 words • 100.0% coverageWriter's voice • 2 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 18 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 10 words • 0.0% coverageWriter's voice • 15 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 16 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 20 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageWriter's voice • 6 words • 0.0% coverageWriter's voice • 12 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 10 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 15 words • 0.0% coverageWriter's voice • 2 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 10 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 17 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 8 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 10 words • 0.0% coverageWriter's voice • 19 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 4 words • 0.0% coverageWriter's voice • 7 words • 0.0% coverageWriter's voice • 15 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageWriter's voice • 9 words • 0.0% coverageWriter's voice • 16 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageWriter's voice • 6 words • 0.0% coverageWriter's voice • 17 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageWriter's voice • 9 words • 0.0% coverageWriter's voice • 32 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 18 words • 0.0% coverageMartha Gellhorn • 10 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageBBC • 3 words • 0.0% coverageBBC • 3 words • 0.0% coverageBBC • 11 words • 0.0% coverageBBC • 7 words • 100.0% coverage
Selected voice

Laura Hobbs

100%flagged-word coverage
141 attributed words15% of attributed speech73% writer coverage
0%2.5%5.0%Attempt to Sell a Product -3.1 ptsWriter: 3.1%Laura Hobbs: 0.0%0.0%Unattributed Quote-2.1 ptsWriter: 2.1%Laura Hobbs: 0.0%0.0%

Attribution is sentence-level. Pattern percentages are calculated only from words assigned to that voice.

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Analysis

Hover over highlighted words in the article to view the associated bias or fallacy analysis.