Kansas City got this new live music venue in the Crossroads as part of its World Cup efforts 9%

By Julie Denesha25%

7/3/2026, 9:00:00 AM

BS Summary: This article contains 20 faulty reasoning types, including Indoctrination, Attempt to Sell a Product or Service, and Post Hoc (False Cause), with Optimism Bias as the most egregious example at 20.4% saturation with 156 hits. Analysis detected 751 faulty-reasoning hits from 765 analyzed words, generating a BS Score of 25.6% and a BS Rank of 9% (20,010 of 21,886 articles). This article is better (less manipulative) than 91.40% of the article peer group.

When Lindsey Jarrett and Emily Behrmann had their first peek a few months ago at a storefront in the Crossroads, it didn’t quite have the vibe of the music venue they had envisioned building there. 
For one thing, Jarrett says, the space at 515 Southwest Blvd. sat next to a busy auto repair shop. 
“Half of it was a garage for a pedicab company. 
They had their vehicles in here cleaning them, getting them ready,” Jarrett remembers. 
“We kind of walked into this space not knowing what we would create.” 
But Jarrett, the executive director of music and education nonprofit Music Across Borders, and Behrmann, board treasurer of the advocacy group Kansas City Jazz Alive, weren’t deterred. 
The pair secured the space for a pop-up they now call 515 Music Hub through Kansas City’s Open Doors! 
program. 
The performance space is one of around 22 projects backed by the special initiative launched by the Kansas City Council last year. 
The program provides up to $10,000 in one-time grants and rent subsidies to small businesses and cultural organizations to boost commercial activity during the 2026 FIFA World Cup. 
Jarrett says they built their proposal for 515 Music Hub centered around creating a musicians-first environment, “where all musicians from all genres can be respected for all of the hard work that they do.” 
Behrmann says the new venue serves a need that’s long been overlooked. 
“What Kansas City Jazz Alive has heard from musicians for years is there aren't enough listening rooms, for jazz or for music generally in Kansas City,” she says. 
And while there are plenty of venues that offer live music, Behrmann hopes this one stands out in an important way. 
“The music is the center. 
It's the focus of what we're doing, as opposed to people talking over musicians as they eat or drink, and socialize,” Behrmann says. 
“We still want socializing, obviously, but the musicians are just going to be at the center of all of that.” 
Despite its new purpose, the space still has an industrial feel, with high ceilings and a large garage door. 
But now there’s a bright neon sign in the front window, a lighted stage, and, for seating, an array of thrift store chairs and sofas. 
Since the venue opened in early June, they’ve hosted a handful of musical events. 
At a Wednesday-night jam session with the Kansas City Jazz Orchestra, about a dozen people make up the audience  most are musicians waiting to sit in and play. 
“We’re just sight-reading stuff,” says trumpeter Clint Ashlock while he kicks off the set with the jazz standard “Moten’s Swing.” 
Ashlock, who is also the big band’s artistic director, says these informal jam sessions are a relaxed way for players of all ages to collaborate. 
He calls the weekly meetups New Jazz Order. 
“We haven’t rehearsed any of this stuff, nobody knows the charts,” Ashlock explains. 
“We get together and play, and invite young folks to come up and play. 
So it’s kind of an organic way to bring all of us together musically.” 
Schrempf says he feels like this is the kind of place that’ll bring a serious crowd. 
“These sessions draw out primarily musicians,” he says. 
“To just have a place to meet up every week. 
Keeps things regular. 
Helps build community.” 
Ashlock takes it a step further. 
“This was nice to be able to play for an audience that is there to listen,” he says. 
“We want to share our emotions and our feelings and our perspectives through our music, because humanity needs art to translate the things that we can't translate.” 
City leaders say they hope filling spaces like these with new ventures will reenergize areas like the Crossroads, the 18th and Vine District and midtown during the World Cup. 
There’s also potential for long-term opportunities for small businesses and building owners, officials have said. 
"Kansas City is a city of makers, creators, and entrepreneurs. 
We're lowering barriers, providing real resources, and making sure our businesses are positioned to thrive,” Mayor Quinton Lucas boasted about the Open Doors! 
program in a press release in May. 
“By linking businesses to storefronts across the city, we're turning global attention into real, lasting economic opportunity for the people who call Kansas City home.” 
Like most of the program’s participants, 515 Music Hub is scheduled to be open through October. 
Organizers say they plan to seek donations and sponsorships to keep the music going long after World Cup fans leave. 
Article reasoning-pattern comparisonThis article: 4.8%Julie Denesha: 1.4%Columbia Missourian: 1.7%Confirmation Bias4.8%This article: 0.0%Julie Denesha: 1.2%Columbia Missourian: 0.8%Anchoring Bias0.0%This article: 3.7%Julie Denesha: 2.3%Columbia Missourian: 2.7%Availability Heuristic3.7%This article: 1.8%Julie Denesha: 1.4%Columbia Missourian: 0.9%Representativeness Heuristic1.8%This article: 0.0%Julie Denesha: 0.4%Columbia Missourian: 0.4%Hindsight Bias0.0%This article: 0.0%Julie Denesha: 2.1%Columbia Missourian: 1.3%Overconfidence Bias0.0%This article: 2.4%Julie Denesha: 2.0%Columbia Missourian: 5.5%Framing Effect2.4%This article: 0.0%Julie Denesha: 0.4%Columbia Missourian: 1.0%Loss Aversion0.0%This article: 0.0%Julie Denesha: 0.3%Columbia Missourian: 0.7%Status Quo Bias0.0%This article: 2.6%Julie Denesha: 0.8%Columbia Missourian: 0.3%Sunk Cost Effect2.6%This article: 20.4%Julie Denesha: 6.2%Columbia Missourian: 4.5%Optimism Bias20.4%This article: 0.0%Julie Denesha: 0.3%Columbia Missourian: 1.6%Pessimism Bias0.0%This article: 4.1%Julie Denesha: 0.9%Columbia Missourian: 5.4%Negativity Bias4.1%This article: 5.4%Julie Denesha: 1.8%Columbia Missourian: 1.7%Self-Serving Bias5.4%This article: 0.0%Julie Denesha: 0.7%Columbia Missourian: 0.6%Fundamental Attribution Error0.0%This article: 0.0%Julie Denesha: 0.2%Columbia Missourian: 0.2%Actor-Observer Bias0.0%This article: 0.0%Julie Denesha: 0.9%Columbia Missourian: 1.6%In-Group Bias0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.4%Out-Group Homogeneity Bias0.0%This article: 5.8%Julie Denesha: 7.3%Columbia Missourian: 2.4%Halo Effect5.8%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.0%Horn Effect0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.0%Dunning-Kruger Effect0.0%This article: 1.8%Julie Denesha: 1.1%Columbia Missourian: 0.9%Recency Bias1.8%This article: 0.0%Julie Denesha: 0.1%Columbia Missourian: 0.3%Primacy Effect0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.0%Blind-Spot Bias0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.5%Ad Hominem0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.2%Straw Man0.0%This article: 6.3%Julie Denesha: 3.3%Columbia Missourian: 2.9%Appeal to Authority6.3%This article: 3.0%Julie Denesha: 0.7%Columbia Missourian: 1.1%False Dilemma3.0%This article: 0.0%Julie Denesha: 0.1%Columbia Missourian: 1.0%Slippery Slope0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.1%Circular Reasoning0.0%This article: 0.0%Julie Denesha: 3.1%Columbia Missourian: 3.6%Hasty Generalization0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.2%Red Herring0.0%This article: 0.0%Julie Denesha: 0.6%Columbia Missourian: 0.7%Bandwagon0.0%This article: 3.5%Julie Denesha: 4.0%Columbia Missourian: 5.2%Appeal to Emotion3.5%This article: 0.0%Julie Denesha: 0.3%Columbia Missourian: 0.6%Begging the Question0.0%This article: 7.5%Julie Denesha: 2.3%Columbia Missourian: 2.0%Post Hoc (False Cause)7.5%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.0%Tu Quoque0.0%This article: 0.0%Julie Denesha: 0.2%Columbia Missourian: 0.4%Burden of Proof0.0%This article: 0.0%Julie Denesha: 0.2%Columbia Missourian: 0.2%Appeal to Nature0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.2%Composition/Division0.0%This article: 3.7%Julie Denesha: 3.2%Columbia Missourian: 2.6%Anecdotal3.7%This article: 0.0%Julie Denesha: 0.1%Columbia Missourian: 0.1%No True Scotsman0.0%This article: 2.6%Julie Denesha: 1.7%Columbia Missourian: 1.3%Ambiguity (Equivocation)2.6%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.0%Gambler’s Fallacy0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.1%Middle Ground0.0%This article: 2.1%Julie Denesha: 0.2%Columbia Missourian: 0.1%Personal Incredulity2.1%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.1%Special Pleading0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.1%Genetic Fallacy0.0%This article: 0.0%Julie Denesha: 0.5%Columbia Missourian: 0.8%Unattributed Quote0.0%This article: 1.3%Julie Denesha: 0.6%Columbia Missourian: 0.7%Quote-first Misdirection1.3%This article: 0.0%Julie Denesha: 0.8%Columbia Missourian: 2.9%Biased Writer Voice0.0%This article: 8.0%Julie Denesha: 1.3%Columbia Missourian: 1.3%Indoctrination8.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.7%Politically Left Leaning Bias0.0%This article: 0.0%Julie Denesha: 0.0%Columbia Missourian: 0.2%Politically Right Leaning Bias0.0%This article: 7.6%Julie Denesha: 1.3%Columbia Missourian: 1.7%Attempt to Sell a Product or S…7.6%

765 words analyzed.

Speakers

5speakers57%attributed speech330writer words
Voice mapSelect a segment to jump to its words
Writer's voice • 18 words • 0.0% coverageWriter's voice • 35 words • 0.0% coverageLindsey Jarrett • 19 words • 0.0% coverageLindsey Jarrett • 10 words • 100.0% coverageLindsey Jarrett • 13 words • 0.0% coverageLindsey Jarrett • 13 words • 0.0% coverageWriter's voice • 27 words • 0.0% coverageWriter's voice • 19 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageWriter's voice • 22 words • 0.0% coverageWriter's voice • 28 words • 0.0% coverageLindsey Jarrett • 34 words • 100.0% coverageEmily Behrmann • 12 words • 0.0% coverageEmily Behrmann • 28 words • 0.0% coverageEmily Behrmann • 21 words • 0.0% coverageEmily Behrmann • 5 words • 0.0% coverageEmily Behrmann • 23 words • 0.0% coverageEmily Behrmann • 20 words • 0.0% coverageWriter's voice • 19 words • 0.0% coverageWriter's voice • 25 words • 0.0% coverageWriter's voice • 14 words • 0.0% coverageWriter's voice • 29 words • 0.0% coverageClint Ashlock • 20 words • 0.0% coverageClint Ashlock • 25 words • 0.0% coverageClint Ashlock • 8 words • 0.0% coverageClint Ashlock • 13 words • 0.0% coverageClint Ashlock • 14 words • 0.0% coverageClint Ashlock • 14 words • 0.0% coverageSchrempf • 16 words • 0.0% coverageSchrempf • 8 words • 0.0% coverageSchrempf • 10 words • 0.0% coverageSchrempf • 3 words • 0.0% coverageSchrempf • 3 words • 0.0% coverageWriter's voice • 6 words • 0.0% coverageClint Ashlock • 18 words • 0.0% coverageClint Ashlock • 27 words • 100.0% coverageWriter's voice • 29 words • 0.0% coverageWriter's voice • 15 words • 0.0% coverageQuinton Lucas • 10 words • 100.0% coverageQuinton Lucas • 23 words • 100.0% coverageWriter's voice • 7 words • 0.0% coverageQuinton Lucas • 25 words • 100.0% coverageWriter's voice • 16 words • 0.0% coverageWriter's voice • 20 words • 0.0% coverage
Selected voice

Quinton Lucas

100%flagged-word coverage
58 attributed words13% of attributed speech46% writer coverage
0%50.0%100.0%Attempt to Sell a Product +100.0 ptsWriter: 0.0%Quinton Lucas: 100.0%100.0%

Attribution is sentence-level. Pattern percentages are calculated only from words assigned to that voice.

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Analysis

Hover over highlighted words in the article to view the associated bias or fallacy analysis.