How to have the best Sunday in L.A., according to Fred Armisen 10%

By Lisa Boone0%

6/12/2026, 3:00:00 AM

BS Summary: This article contains 26 faulty reasoning types, including Availability Heuristic, Hasty Generalization, and Ambiguity (Equivocation), with Attempt to Sell a Product or Service as the most egregious example at 23.2% saturation with 279 hits. Analysis detected 1,195 faulty-reasoning hits from 1,201 analyzed words, generating a BS Score of 27% and a BS Rank of 10% (19,717 of 21,887 articles). This article is better (less manipulative) than 90.10% of the article peer group.

Fred Armisen loves living in Los Angeles. 
“It’s my favorite city in the world,” says the comedian, musician and actor best known for the beloved sketch comedy series “Portlandia” and for “Saturday Night Live.” 
“It has a really strong sense of community for such a giant city,” he adds, noting the recent celebration surrounding the new Los Angeles County Museum of Art and Metro’s D Line extension. 
Armisen enjoys being behind the wheel, which is how he first noticed Hulu’s “Deli Boys,” where he plays casino boss Max Sugar in the show’s second season. 
“Strangely, I was a fan before I was a fan of the show,” he says. 
“I was a fan of the billboards. 
I saw ads for it, and I was immediately curious. 
Like, ‘What is that? 
Why is it called 'Deli Boys'? 
Who are these people?’ 
There was something about the three leads, a sort of chemistry or charisma, that I wanted to be a part of.” 
For him, the perfect Sunday involves traversing the city, checking out record stores and visiting museums like the Museum of Jurassic Technology in Culver City. 
“I fell in love with it as its own art piece,” he says. 
He also enjoys going to live shows, sometimes performing and spending time at home with his family. 
For him, the ideal day in L.A. “is a mix of all of those things.” 
The one place you won’t find the sun-averse actor is the beach. 
“Los Angeles is a great place for people who hate the sun,” he says. 
“There’s a goth quality to it. 
So many of the best punk bands came out of Los Angeles.” 
He appreciates that you can avoid the sun by staying in your car. 
“It feels like I get to confront my hatred for the sun without being in it,” he says. 
This interview has been lightly edited and condensed for length and clarity. 
5 a.m.: Early rising 
I love Los Angeles so much that sometimes, when I wake up, it’s still dark outside. 
So it’ll be, like, 5 or 6 o’clock in the morning, and it’s dark, but the palm trees are silhouetted in the sky. 
Right away, I’ll have granola or Grape Nuts with almond milk and blueberries. 
And then I just like to sit in silence while it’s still dark out, while sipping two mugs of coffee. 
If I do go out, the Village Bakery and Cafe on Los Feliz Boulevard is really nice for breakfast or if you have to meet someone. 
There is a scramble there that I really like. 
But lately, I’ve also been getting granola with yogurt. 
8 a.m.: Make it a work day in Elysian Valley, a.k.a. 
Frogtown 
I like to make every day a work day. 
So even if I have a day off, I still try to do one work-related task. 
I have a music-and-writing space in Frogtown where I’ve had an office for a while. 
I had one there when we wrote “Portlandia.” 
I’ve got my drums set up, and I usually like to get things ready for touring. 
I have all these flight cases and drums there and I get all my equipment together. 
I’ll just clean them up a little bit. 
Sometimes I practice  not practicing to get my rudiments up for drumming  but just because I enjoy drumming so much. 
11 a.m:. 
Lunch in Frogtown 
There are a few places in Frogtown where I like to have lunch. 
There’s a vegan cafe near me called Just What I Kneaded, which is great, or the Spoke Bicycle Cafe, which is a little down the river. 
I like the chickpea farro bowl with Brussels sprouts and tempeh. 
Sometimes I’ll go to Wax Paper and order the Kai Ryssdal sandwich. 
Their sandwiches are really good and are named for National Public Radio hosts. 
We have to embrace being pretentious. 
I think in these cafes, we should talk about the Velvet Underground. 
It’s almost like cosplaying. 
Like, let’s really be Silver Lake. 
Well, you know, with bicycles. 
1 p.m.: Run errands at the Americana at Brand 
I can’t just stay in Frogtown, so 
I’d next go to the Americana at Brand outdoor mall because sometimes, when a place is devoid of all those pretensions, it’s actually very relaxing. 
You can walk around and get a lot of errands done. 
I love the sushi place the Bar  Hand Rolls by Seabutter. 
2 p.m.: Take a drive through Griffith Park 
I love driving. 
That’s one thing that I love about Los Angeles. 
Everywhere I go, I get to be in my car. 
I like listening to the radio. 
It’s just a peaceful place to be. 
There’s something special about it, especially as day turns into dusk. 
I like going down Sunset Boulevard or Beverly Boulevard. 
I also love driving Crystal Springs Drive through Griffith Park. 
It is the prettiest drive. 
The speed limit is nice and slow. 
In the summer, there’s a free Shakespeare festival in that same park. 
I haven’t made it yet because I’m usually traveling, but I’ve always wanted to go. 
3 p.m.: Hit the record stores 
I know it’s a cliché for me to say I go to record stores, but I do. 
I like going to Amoeba Music in Hollywood. 
I’ll get any reissue, like a new box set. 
And there’s always something that’s just come out. 
Sometimes I’ll go to a musical instrument store called Caveman Vintage Music in Lincoln Heights just to pick up a few things that I’ll need, you know, drumsticks or whatever. 
Or sometimes I’ll get a weird little amp or keyboard. 
6 p.m.: Sushi dinner in Glendale 
If I go out to dinner, I like going to Sasabune in Glendale. 
It’s on the third floor of a building near the Americana. 
In my opinion, Los Angeles has the best sushi in the world. 
Ventura Boulevard in the Valley is amazing, but this place is my favorite restaurant in the world. 
Wow. 
I love it. 
8 p.m.: See live music 
Once a month, although not usually on Sundays, I play covers at a bar and record store called Permanent Records Roadhouse in Cypress Park. 
Sometimes I do stand-up at Largo at the Coronet. 
But I love to see live bands. 
The Bellwether and the Teragram Ballroom are great venues to see bands. 
Those two, I’d say, are my two favorites to go to because I like a little bit of space, because I can’t be up at the front. 
You know, I’m so famous that bands stop playing [laughs] when they see me. 
No, I’m just a patron. 
I’m a fan. 
The Greek Theatre is a fantastic place to see live music. 
And the Ford amphitheater! 
The last time I went, I thought, 
‘Why don’t I come to every show here?‘ 
because it’s the perfect size. 
It’s outdoors. 
It’s not gigantic. 
Every seat is good. 
It’s really, really great. 
I saw Neil Young there. 
I saw Paul McCartney at the Fonda Theatre in March, and he was unbelievable. 
I love that he played there. 
I like the Hollywood Bowl, obviously, but everybody knows that. 
Article reasoning-pattern comparisonThis article: 1.2%Lisa Boone: 1.3%Daily Pilot: 2.9%Confirmation Bias1.2%This article: 0.0%Lisa Boone: 0.2%Daily Pilot: 1.2%Anchoring Bias0.0%This article: 7.5%Lisa Boone: 2.8%Daily Pilot: 3.5%Availability Heuristic7.5%This article: 1.2%Lisa Boone: 0.7%Daily Pilot: 1.0%Representativeness Heuristic1.2%This article: 0.0%Lisa Boone: 0.5%Daily Pilot: 0.9%Hindsight Bias0.0%This article: 4.3%Lisa Boone: 1.5%Daily Pilot: 1.9%Overconfidence Bias4.3%This article: 6.4%Lisa Boone: 3.1%Daily Pilot: 7.5%Framing Effect6.4%This article: 0.0%Lisa Boone: 0.3%Daily Pilot: 0.9%Loss Aversion0.0%This article: 1.1%Lisa Boone: 0.4%Daily Pilot: 0.9%Status Quo Bias1.1%This article: 0.0%Lisa Boone: 0.2%Daily Pilot: 0.2%Sunk Cost Effect0.0%This article: 1.3%Lisa Boone: 3.6%Daily Pilot: 3.6%Optimism Bias1.3%This article: 0.0%Lisa Boone: 0.9%Daily Pilot: 1.4%Pessimism Bias0.0%This article: 1.0%Lisa Boone: 1.0%Daily Pilot: 7.8%Negativity Bias1.0%This article: 3.1%Lisa Boone: 1.8%Daily Pilot: 2.2%Self-Serving Bias3.1%This article: 0.0%Lisa Boone: 0.3%Daily Pilot: 0.9%Fundamental Attribution Error0.0%This article: 0.0%Lisa Boone: 0.1%Daily Pilot: 0.2%Actor-Observer Bias0.0%This article: 1.0%Lisa Boone: 1.5%Daily Pilot: 1.6%In-Group Bias1.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.6%Out-Group Homogeneity Bias0.0%This article: 4.0%Lisa Boone: 7.0%Daily Pilot: 5.1%Halo Effect4.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.2%Horn Effect0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.0%Dunning-Kruger Effect0.0%This article: 5.2%Lisa Boone: 0.8%Daily Pilot: 1.3%Recency Bias5.2%This article: 1.7%Lisa Boone: 0.4%Daily Pilot: 0.4%Primacy Effect1.7%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.1%Blind-Spot Bias0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.9%Ad Hominem0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.3%Straw Man0.0%This article: 0.0%Lisa Boone: 1.9%Daily Pilot: 4.9%Appeal to Authority0.0%This article: 1.5%Lisa Boone: 0.6%Daily Pilot: 1.2%False Dilemma1.5%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.7%Slippery Slope0.0%This article: 0.0%Lisa Boone: 0.2%Daily Pilot: 0.1%Circular Reasoning0.0%This article: 6.8%Lisa Boone: 5.6%Daily Pilot: 4.4%Hasty Generalization6.8%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.3%Red Herring0.0%This article: 1.3%Lisa Boone: 0.2%Daily Pilot: 1.0%Bandwagon1.3%This article: 4.6%Lisa Boone: 2.4%Daily Pilot: 5.7%Appeal to Emotion4.6%This article: 0.0%Lisa Boone: 0.1%Daily Pilot: 0.7%Begging the Question0.0%This article: 2.2%Lisa Boone: 1.2%Daily Pilot: 2.6%Post Hoc (False Cause)2.2%This article: 0.4%Lisa Boone: 0.0%Daily Pilot: 0.1%Tu Quoque0.4%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.4%Burden of Proof0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.2%Appeal to Nature0.0%This article: 0.0%Lisa Boone: 0.1%Daily Pilot: 0.3%Composition/Division0.0%This article: 6.3%Lisa Boone: 2.0%Daily Pilot: 2.8%Anecdotal6.3%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.1%No True Scotsman0.0%This article: 6.5%Lisa Boone: 0.6%Daily Pilot: 1.6%Ambiguity (Equivocation)6.5%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.0%Gambler’s Fallacy0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.1%Middle Ground0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.1%Personal Incredulity0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.2%Special Pleading0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.3%Genetic Fallacy0.0%This article: 2.2%Lisa Boone: 0.6%Daily Pilot: 1.3%Unattributed Quote2.2%This article: 0.3%Lisa Boone: 0.1%Daily Pilot: 0.8%Quote-first Misdirection0.3%This article: 3.5%Lisa Boone: 4.8%Daily Pilot: 6.0%Biased Writer Voice3.5%This article: 1.5%Lisa Boone: 1.6%Daily Pilot: 1.5%Indoctrination1.5%This article: 0.0%Lisa Boone: 0.1%Daily Pilot: 0.9%Politically Left Leaning Bias0.0%This article: 0.0%Lisa Boone: 0.0%Daily Pilot: 0.3%Politically Right Leaning Bias0.0%This article: 23.2%Lisa Boone: 4.3%Daily Pilot: 4.0%Attempt to Sell a Product or S…23.2%

1201 words analyzed.

Speakers

1speaker89%attributed speech131writer words
Voice mapSelect a segment to jump to its words
Writer's voice • 12 words • 0.0% coverageFred Armisen • 7 words • 100.0% coverageFred Armisen • 27 words • 100.0% coverageFred Armisen • 33 words • 0.0% coverageFred Armisen • 27 words • 100.0% coverageFred Armisen • 15 words • 0.0% coverageFred Armisen • 7 words • 0.0% coverageFred Armisen • 10 words • 0.0% coverageFred Armisen • 4 words • 100.0% coverageFred Armisen • 6 words • 0.0% coverageFred Armisen • 4 words • 0.0% coverageFred Armisen • 21 words • 0.0% coverageWriter's voice • 25 words • 0.0% coverageFred Armisen • 13 words • 0.0% coverageFred Armisen • 17 words • 0.0% coverageWriter's voice • 15 words • 0.0% coverageWriter's voice • 12 words • 0.0% coverageFred Armisen • 14 words • 0.0% coverageFred Armisen • 6 words • 0.0% coverageFred Armisen • 12 words • 0.0% coverageFred Armisen • 13 words • 0.0% coverageFred Armisen • 18 words • 0.0% coverageWriter's voice • 12 words • 100.0% coverageWriter's voice • 4 words • 0.0% coverageFred Armisen • 16 words • 0.0% coverageFred Armisen • 23 words • 100.0% coverageFred Armisen • 13 words • 0.0% coverageFred Armisen • 20 words • 0.0% coverageFred Armisen • 26 words • 100.0% coverageFred Armisen • 9 words • 0.0% coverageFred Armisen • 9 words • 0.0% coverageWriter's voice • 11 words • 0.0% coverageWriter's voice • 1 words • 0.0% coverageFred Armisen • 9 words • 0.0% coverageFred Armisen • 16 words • 0.0% coverageFred Armisen • 15 words • 0.0% coverageFred Armisen • 8 words • 0.0% coverageFred Armisen • 16 words • 0.0% coverageFred Armisen • 16 words • 0.0% coverageFred Armisen • 8 words • 0.0% coverageFred Armisen • 22 words • 0.0% coverageWriter's voice • 2 words • 0.0% coverageWriter's voice • 3 words • 0.0% coverageFred Armisen • 13 words • 0.0% coverageFred Armisen • 26 words • 100.0% coverageFred Armisen • 11 words • 0.0% coverageFred Armisen • 12 words • 100.0% coverageFred Armisen • 13 words • 100.0% coverageFred Armisen • 6 words • 0.0% coverageFred Armisen • 12 words • 100.0% coverageFred Armisen • 4 words • 0.0% coverageFred Armisen • 6 words • 100.0% coverageFred Armisen • 5 words • 0.0% coverageWriter's voice • 9 words • 0.0% coverageFred Armisen • 7 words • 0.0% coverageFred Armisen • 25 words • 100.0% coverageFred Armisen • 11 words • 0.0% coverageFred Armisen • 12 words • 100.0% coverageWriter's voice • 8 words • 0.0% coverageFred Armisen • 3 words • 0.0% coverageFred Armisen • 9 words • 0.0% coverageFred Armisen • 10 words • 0.0% coverageFred Armisen • 6 words • 0.0% coverageFred Armisen • 7 words • 0.0% coverageFred Armisen • 11 words • 0.0% coverageFred Armisen • 9 words • 0.0% coverageFred Armisen • 10 words • 0.0% coverageFred Armisen • 5 words • 0.0% coverageFred Armisen • 7 words • 0.0% coverageFred Armisen • 12 words • 0.0% coverageFred Armisen • 15 words • 0.0% coverageWriter's voice • 6 words • 0.0% coverageFred Armisen • 17 words • 0.0% coverageFred Armisen • 8 words • 100.0% coverageFred Armisen • 9 words • 0.0% coverageFred Armisen • 8 words • 0.0% coverageFred Armisen • 30 words • 100.0% coverageFred Armisen • 10 words • 100.0% coverageWriter's voice • 6 words • 0.0% coverageFred Armisen • 13 words • 100.0% coverageFred Armisen • 11 words • 0.0% coverageFred Armisen • 12 words • 0.0% coverageFred Armisen • 17 words • 100.0% coverageFred Armisen • 1 words • 0.0% coverageFred Armisen • 3 words • 0.0% coverageWriter's voice • 5 words • 0.0% coverageFred Armisen • 24 words • 100.0% coverageFred Armisen • 9 words • 100.0% coverageFred Armisen • 7 words • 0.0% coverageFred Armisen • 12 words • 100.0% coverageFred Armisen • 27 words • 0.0% coverageFred Armisen • 14 words • 0.0% coverageFred Armisen • 5 words • 0.0% coverageFred Armisen • 3 words • 0.0% coverageFred Armisen • 11 words • 100.0% coverageFred Armisen • 4 words • 100.0% coverageFred Armisen • 7 words • 0.0% coverageFred Armisen • 8 words • 0.0% coverageFred Armisen • 5 words • 0.0% coverageFred Armisen • 2 words • 0.0% coverageFred Armisen • 3 words • 0.0% coverageFred Armisen • 4 words • 0.0% coverageFred Armisen • 4 words • 0.0% coverageFred Armisen • 5 words • 0.0% coverageFred Armisen • 14 words • 0.0% coverageFred Armisen • 6 words • 0.0% coverageFred Armisen • 10 words • 0.0% coverage
Selected voice

Fred Armisen

73%flagged-word coverage
1,070 attributed words100% of attributed speech58% writer coverage
0%15.0%30.0%Attempt to Sell a Product +26.1 ptsWriter: 0.0%Fred Armisen: 26.1%26.1%Biased Writer Voice-6.4 ptsWriter: 9.2%Fred Armisen: 2.8%2.8%Unattributed Quote+2.5 ptsWriter: 0.0%Fred Armisen: 2.5%2.5%Indoctrination+1.7 ptsWriter: 0.0%Fred Armisen: 1.7%1.7%Quote-first Misdirection+0.4 ptsWriter: 0.0%Fred Armisen: 0.4%0.4%

Attribution is sentence-level. Pattern percentages are calculated only from words assigned to that voice.

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Analysis

Hover over highlighted words in the article to view the associated bias or fallacy analysis.